Monthly Archives: November 2008

Champagne By The Glass

perlage How do you preserve an open bottle of sparkling wine? The silver spoon trick? A champagne stopper? A little foil hat? I’ve tried all of those and more with varying results so I’m intrigued by the Perlage system which promises to preserve open bottles of sparkling wine for weeks "with no loss of quality, taste or effervescence."

It works by returning the headspace of the opened bottle to exactly the same composition and pressure of gasses that existed before the bottle was opened by first taking out the oxygen and then repressurizing with carbon dioxide. A bottle is place in the Perlage enclosure, air is taken out and it is resealed and pressurized with carbon dioxide. When you need another glass you can pour from the bottle while it is still inside the safety shell.

The Perlage System comes in two versions a commercial one designed for restaurants and bars that can be connected to their existing CO2 systems or one for home use with disposable CO2 cartridges. It sells for $295 for the home version and is in use in over 1,000 restaurants worldwide so far.

By Deidre Woollard.

Vicktory Dogs Wine Collection

Dogs 1-22vicktorycollectionw-wax400px1 I’ve mentioned the Dog Lover’s Wine Club that features pooch-centered wine labels and donates to dog-helping causes before. Now they’ve become involved with the rescue efforts to rehabilitate the dogs involved in the Michael Vick dogfighting scandal.

The Carivintas Winery Vicktory Dog Wine Collection spans 22 bottles and each label features a work of art portraying one of 22 dogs rescued from NFL player Vick’s kennels. The "Vicktory" dogs now live at Best Friends Animal Sanctuary in Kanab, Utah and ten percent of sales goes to the animal sanctuary.

The portraits of the dogs were painted by artist Cyrus Mejia, one of Best Friends founders. The bottles contain red wine, currently a 2006 Tempranillo, Santa Barbara County but that may change as the series goes on. Individual wines are $40 and the entire 22 label series is $672.

By Deidre Woollard.

Pentawards : Best Of The Show 2008

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A propos the Best of the Show – Diamond Pentawards 2008

PIPER HEIDSIECK Rosé Sauvage by VIKTOR & ROLF – Upside Down…

A bottle that rests on the neck, the neck and front labels and cap foil reversed!

“How do you do something new with something timeless? We had only one answer: reverse the proportions” This is how the two Dutch fashion designers Viktor & Rolf express it.

And it is exactly this simple but oh-so-creative idea that won over the international jury of the Pentawards, the first worldwide competition devoted uniquely to packaging design. For in fact, if there is indeed a domain in which tradition reigns, it is that of champagne.

So the designers kept all the traditional graphic features of champagne (bottle, cork, ice bucket, glass, and labels) but thought that if champagne could turn one’s head, it was only necessary to reverse all these visual elements to amplify this impression, and especially to differentiate the Piper Heidsieck brand from its competitors by recreating the packaging of the champagne.

 

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The idea of working with such an exciting signature as Viktor & Rolf is born from a strategic and creative design management partnership between Piper Heidsieck and BETC Design. It is this creativity in support of packaging, also expressed throughout the communication (the site will also spin your head around) that won over the Pentawards jury. The bottles of Pieper Heidsieck Rosé Sauvage signed by Viktor & Rolf were launched on the market at the end of October 2007 in several duty free shops and in exclusive bars and wine bars. This is therefore a limited-time edition.
The glass bottles are covered by a sleeve produced by Sleever International, a leading global company in this very innovative area of packaging design.

View all Pentawards 2008 winners.

Wacky Wine Labels

Cleavage Creek What’s in a name? A little bit of marketing, I suppose. Here are 10 wines that have odd, easy-to-remember names.

Cat’s Pee on a Gooseberry Bush – Crafted using fruit from a number of vineyards

Vampire – Aged with a combination of both French and American oak

Goats Do Roam In Villages – one of South Africa’s best-known and hottest-selling wines

Ten Minutes By Tractor – aromas of black cherries, undergrowth and mulch, pepper and stalk, smoke

Rocket Science – The soils are shallow, reddish brown in color, low in nutrients and laced with volcanic ash

Seven Deadly Zins – Blending the fruit of seven vineyards

Fat Bastard – Named after a British expression describing a particularly rich and full wine

Marilyn Merlot – Bringing together the vivacious appeal of Marilyn Monroe and Napa Valley winemaking

Mad Housewife – A philosophy that “wine should be fun, relaxing, and something you can afford to look forward to at the end of each and every day”

Cleavage Creek – 10% of the gross proceeds of all wine sales will be donated to breast cancer research

Source: Trendhunter.

The Globalization of Wine

There is a lot of talk these days about the globalization of wine. Some wine people are up all night tossing and turning, worried about that sometime in the distant future, all wines will taste alike, assuming there could ever be such a thing as a “universal” taste.

Globalization of wine sets me off in another direction — the amazing growth of international commerce in wine in this generation. Not that international wine trade is something new. The Greeks, as in many things, did a wonderful job 2,000 years ago planting vines and spreading wine culture. The Greek trade in wine was surprisingly extensive. There was a system of appellations to ensure the origin of the best wines so that customers of Greek wines knew where the wine came from. Large stores of wine travelled wherever Greek ships travelled — and that was all over the known world. We even know from ancient records where the best wines came from. So, the Greeks developed the kind of Epicurean consciousness that is now also part of the modern wine mind.

I’ve always believed that this globalization, or internationalization of wine has caused great competition, which is always good for the development of wine and our wine industry.

Let’s take as a starting point, the famous Paris tasting of 1978. What this well- publicized event demonstrated was not just that California wines topped French ones on one particular day in time. The large far-reaching picture was that given the right soil and climate, fine winemaking and good technical skills, France was not the only country that could make great wines.  This message inspired winemaking in many countries.

One notable example — the wines of Italy. Not so long ago, most United States wine consumers thought of Italian wines as the rather rough, thin inexpensive wines in straw flasks with the Chianti on the label. Now, what has happened in Italy has been phenomenal and not just in Tuscany. Today, a top level wine merchant will have well over 200 Italian red wines ranging from excellent Falesco wines under $10 to a line of highly regarded wines from Gaja, some of which command prices close to $300 a bottle.

Today, fine Italian wines are not restricted to the Northern districts. Excellent wines are being enjoyed from Sicily to Puglia, Campania and points south. Italian grape varietals that in the past “got no respect” are now flourishing stars under new and expert hands — Nero d’Avola and Sagrantino are just two examples

Two more recent examples from South America are worth noting. The United Kingdom is a great wine consumer and therefore is a good barometer when it comes to imports. In order to climb aboard the wine train, Chile and Argentina had to do a quality turn-around, which has been accomplished and continues to grow. Just a few years ago, you would be hard pressed to find any selection of wines from these countries,   Now, 40 or more wines would be the norm with fine wines at really good values.

The Australian wine industry has had a similar renaissance. In the past, the few Australian wines to hit our market were, for the most part, inexpensive. Today, wineries such as d’Arenberg, Clarendon Hills, Pennfolds, Elderton Ashmead and Henshke are producing world class red wines that the world is now enjoying.

Lastly, Spain. As the international wine expert Robert Whitley recently wrote, “From Priorat to the Penedes to Rijoa to the Ribera del Duero to Toro to the Rias Baixas, a renaissance in wine production is sweeping Spain. On a recent trip to Madrid, I tasted several wines I had never heard of made from grapes I had never heard of from regions I had never heard of.”  

Where will this all end? I am not sure, as a wine lover it may be a bit confusing at first, but it sure is deliciously interesting! Now, I may enjoy a great late harvest wine from — Canada. Oh, yes!

By Ed Schwartz.

Do Labels Matter To The Consumer?

JWinelabel Evelyne Resnick writes about a study presented by Nielsen at the Oregon Wine Symposium in February. Over 3,300 wine brands are now crowding the shelves of grocery stores since 1999 and they now represent about 70% of active brands. Interestingly, their price points are higher. In 2007, 27% of new wines fell in the $10-$14 price range, while 21% were $14-$25 and 19% ranged $8-$10, according to Nielsen.

Unfortunately, the consumers are not at all brand loyal. They love to try new wines and new brands. That’s why the labels are so important: they need to catch the eye of the consumers but more importantly, to answer basic questions. The wine label must communicate the quality of the wine (60%), reinforce the brand name (55%) and emotionally appeal to the consumer (42%) .

Is it true for all labels? While in California this summer, I was amazed to notice how many brands chose to just put a letter on their front label, like the J Wine label. Quite beautiful, but not very informative. The problem with labels is to manage to have a beautiful label with a lot of information – back label is critical!

Luna Nuda

Luna-Nuda The Italian Luna Nuda (Naked Moon) wine project is the result of modern technology, which made it possible to design, print and launch the Luna Nuda Pinot Grigio and Chianti labels by a team based on three continents.

Destined for the US market only, the label was designed by Fireworks Design based in South Africa and was produced and printed by the Nistri Wine Co in Tuscany, and imported by CWV wine distributors in the USA.

Close collaboration via Skype and e-mail made communication a joy, even with the time difference between the three parties.